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| BEST MOTION PICTURE |
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| Brokeback Mountain |
A History of Violence |
Gus Van Sant's Last Days |
Caché |
Saraband |
2046 |
| Both the most beautiful and the most tragic love story of this past year, and possibly the best of all time. |
Cronenberg's finest film yet, showing us how society has come to be aloof and even idolize its own violence. |
A swirling cinematographic orgasm of light, sound, touch, taste, scent, music, life, death and fame. |
From the very opening credits, Haneke places us (against our will?) inside a world of hate and desperation. |
We've waited a generation for this film, and once it appeared, we were in even more awe than we expected. |
Lush and vibrant, Wong's follow-up to In the Mood for Love is like an organic and orgasmic being unto itself. |
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Runners-up (aka: the rest of my Top 10 List):
Arnaud Desplechin's Kings & Queen is one of the funniest and one of the saddest films out this past year * Terrence Malick's The New World is a visual thing of beauty from beginning to end * Or (Mon Tresor), the debut film of Israeli Keren Yedaya, gives us an up close and personal look at the emotional and spiritual disintegration of a young woman * Park Chan-wook's choke-hold second part of his "revenge" trilogy, OldBoy, is an adrenaline-rushed masterstroke of savageness and brutality.
Honourable Mentions:
The oft-maligned and admittedly sometimes detestable Ma Mère is the both the thorn and the jewel in the crown of provocateur filmmaking * Joe Wright's debut retooling of Jane Austin's Pride & Prejudice brings a fresh new outlook on the old classic * Thailand's very own David Lynchesque auteur, Apichatpong Weerasethakul, brings us Tropical Malady, his latest dual-storied morality fable * Fernando Meirelles' internationally funded The Constant Gardener not only gives way to two of the most open-hearted performances of the year, but also does it in such a beautifully stylized manner * Junebug takes a simple coming home story and winds it into a strangely absorbing melodrama of acceptance * The Holy Girl plays at the emotions of a sexual awakening tale while at the same time taking on the ramifications of organized religion.
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LAST YEAR'S NOMINEES:
BIRTH * DOGVILLE * GOODBYE DRAGON INN * KILL BILL, VOL 2 * PRIMER * TIME OF THE WOLF
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| BEST DIRECTOR/AUTEUR |
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Ang Lee
Brokeback Mountain |
David Cronenberg
A History of Violence |
Gus Van Sant
Last Days |
Michael Haneke
Caché |
Ingmar Bergman
Saraband |
Wong Kar-wai
2046 |
| Lee, who has touched on emotion before only to a superficial level, now brings us one of the most emotionally gripping love stories ever put onto film. |
Cronenberg has always pushed the envelope, but here he manages to push it further than ever, without ever once slipping into oversentimental gooiness. |
Gus Van Sant learned so much by studying Bela Tarr, and he shows that again here, with the third of his "Death Trilogy". Quiet and disturbingly so. |
The only repeat nominee from last year (at least in the major categories), Haneke once again proves why his is the ultimate provateur of cinema. |
His first film as director in over twenty years, and he hasn't lost a single step in those intervening decades. Brilliant, subtle, genius. |
Wong Kar-wai is the most elegantly dreamy Auteur working today and his latest - nearly five years in the making - is nothing shy of a dreamlike masterpiece. |
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Runners-up:
Terrence Malick brings an other-wordly foreboding to The New World * Arnaud Desplechin weaves intricate labyrnthine wonders in Kings & Queen.
Honourable Mentions:
Fernando Meirelles for The Constant Gardener * Apichatpong Weerasethakul for Tropical Malady * Christophe Honore for Ma Mère * Keren Yadeya for Or (Mon Tresor) * Park Chan-wook for OldBoy
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LAST YEAR'S NOMINEES:
LARS VON TRIER (DOGVILLE) * MICHAEL HANEKE (TIME OF THE WOLF)
JONATHAN GLAZER (BIRTH) * CATHERINE BREILLAT (ANATOMY OF HELL)
TSAI MING-LIANG (GOODBYE DRAGON INN) * QUENTIN TARANTINO (KILL BILL 2)
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| BEST SUPPORTING ACTRESS |
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Michelle Williams "Alma Del Mar" Brokeback Mountain |
Amy Adams "Ashley" Junebug |
Ziyi Zhang "Bai Ling" 2046 |
Rachel Weisz "Tessa Quayle" The Constant Gardener |
Ronit Elkabetz "Ruthie" Or (Mon Tresor) |
Maria Bello "Edie Stall" A History of Violence |
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LAST YEAR'S NOMINEES:
CATE BLANCHETT (AVIATOR) * NATALIE PORTMAN (CLOSER) * PATRICIA CLARKSON (DOGVILLE)
SOPHIE OKONEDO (HOTEL RWANDA) * LAURA DERN (WE DON'T LIVE HERE ANYMORE)
VIRGINIA MADSEN (SIDEWAYS)
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| BEST SUPPORTING ACTOR |
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Jake Gyllenhaal "Jack Twist" Brokeback Mountain |
Matt Dillon "Jack Ryan" Crash |
Terrence Howard "Cameron Thayer" Crash |
Danny Huston "Sandy Woodrow" The Constant Gardener |
Jeff Daniels "Bernard Berkman" The Squid & the Whale |
Donald Sutherland "Mr. Bennet" Pride & Prejudice |
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LAST YEAR'S NOMINEES:
CLIVE OWEN (CLOSER) * BEN GAZZARA (DOGVILLE) * DAVID CARRADINE (KILL BILL 2)
THOMAS HADEN CHURCH (SIDEWAYS) * PHIL DAVIS (VERA DRAKE)
MARK RUFFALO (ETERNAL SUNSHINE & WE DON'T LIVE HERE ANYMORE)
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| BEST FIRST FILM |
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Or (Mon Tresor) Keren Yedaya |
Schizo Gulshat Omarova |
Junebug Phil Morrison |
Kontroll Nimrod Antal |
Me and You and Everyone We Know Miranda July |
Pride & Prejudice Joe Wright |
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Runner-up:
Paul Haggis for Crash
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LAST YEAR'S NOMINEES:
GARDEN STATE * DOOR IN THE FLOOR * PRIMER * THE RETURN
MARIA FULL OF GRACE * SKY CAPTAIN & THE WORLD OF TOMORROW
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| BEST FOREIGN-LANGUAGE FILM |
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| 2046 |
OldBoy |
Kings & Queen |
Saraband |
Cache |
Or (Mon Tresor) |
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Runners-up:
Ma Mère * Tropical Malady * The Holy Girl
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LAST YEAR'S NOMINEES:
ANATOMY OF HELL * BLISSFULLY YOURS * FATHER AND SON * GOODBYE DRAGON INN * THE RETURN
THE TIME OF THE WOLF
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