| Rank |
Film |
Points |
L |
#1 |
| #1 |
Citizen Kane (Orson Welles, 1941) |
328.5 |
45 |
13 |
| #2 |
2001: A Space Odyssey (Stanley Kubrick, 1968) |
310.5 |
43 |
8 |
| #3 |
Vertigo (Alfred Hitchcock, 1958) |
247 |
40 |
8 |
| #4 |
Casablanca (Michael Curtiz, 1942) |
194.5 |
27 |
9 |
| #5 |
8½ (Federico Fellini, 1963) |
192 |
33 |
3 |
| #6 |
The Godfather (Francis Ford Coppola, 1972) |
174.5 |
30 |
3 |
| #7 |
Seven Samurai (Akira Kurosawa, 1954) |
148 |
23 |
4 |
| #8 |
La Règle de Jeu (Jean Renoir, 1939) |
142.5 |
22 |
5 |
| #9 |
Tokyo Story (Yasujiro Ozu, 1953) |
140.5 |
23 |
6 |
| #10 |
Au hasard Balthazar (Robert Bresson, 1966) |
134 |
21 |
2 |
| #11 |
La Passion de Jeanne d'arc (Carl Th. Dreyer, 1928) |
133.5 |
23 |
2 |
| #12 |
Apocalypse Now (Francis Ford Coppola, 1979) |
125.5 |
17 |
3 |
| #13 |
Taxi Driver (Martin Scorsese, 1976) |
115.5 |
16 |
3 |
| #14 |
Andrei Rublev (Andrei Tarkovsky, 1966) |
98.5 |
15 |
1 |
| #15 |
The Godfather - Part II (Francis Ford Coppola, 1979) |
91 |
15 |
1 |
| #16 |
A Clockwork Orange (Stanley Kubrick, 1971) |
85 |
11 |
5 |
| #17 |
Chinatown (Roman Polanski, 1974) |
76 |
12 |
1 |
| |
Persona (Ingmar Bergman, 1966) |
76 |
13 |
1 |
| #19 |
Sunrise (F.W. Murnau, 1927) |
74 |
11 |
- |
| #20 |
Rashomon (Akira Kurosawa, 1950) |
73.5 |
10 |
- |
| #21 |
The Third Man (Carol Reed, 1949) |
72 |
12 |
2 |
| #22 |
Lawrence of Arabia (David Lean, 1962) |
71 |
16 |
1 |
| #23 |
Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) |
62.5 |
11 |
2 |
| #24 |
Pulp Fiction (Quentin Tarantino, 1994) |
62 |
12 |
1 |
| #25 |
Once Upon a Time in the West (Sergio Leone, 1968) |
58.5 |
9 |
- |
| #26 |
Contempt (Jean-Luc Godard, 1963) |
58 |
6 |
1 |
| #27 |
Ordet (Carl Th. Dreyer, 1955) |
57.5 |
9 |
- |
| #28 |
The Wizard of Oz (Victor Fleming, 1939) |
57 |
10 |
2 |
| #29 |
Psycho (Alfred Hitchcock, 1960) |
56 |
11 |
- |
| #30 |
The Bicycle Thief (Vittorio De Sica, 1948) |
54 |
9 |
- |
| #31 |
Barry Lyndon (Stanley Kubrick, 1975) |
53 |
8 |
3 |
| #32 |
Aguirre: The Wrath of God (Werner Herzog, 1972) |
49 |
9 |
1 |
| #33 |
Playtime (Jacques Tati, 1968) |
47.5 |
10 |
1 |
| |
Raging Bull (Martin Scorsese, 1980) |
47.5 |
10 |
1 |
| #34 |
L'Avventura (Michelangelo Antonioni, 1960) |
46 |
8 |
1 |
| |
The Searchers (John Ford, 1956) |
46 |
6 |
- |
| #36 |
Goodfellas (Martin Scorsese, 1990) |
43.5 |
7 |
- |
| #37 |
The Seventh Seal (Ingmar Bergman, 1957) |
43 |
9 |
- |
| #38 |
Ran (Akira Kurosawa, 1985) |
42 |
8 |
- |
| #39 |
Star Wars (George Lucas, 1977) |
42.5 |
9 |
1 |
| #40 |
Rear Window (Alfred Hitchcock, 1954) |
42 |
9 |
- |
| #41 |
Blue Velvet (David Lynch, 1986) |
41.5 |
6 |
1 |
| |
Chimes at Midnight (Orson Welles, 1965) |
41.5 |
7 |
1 |
| #43 |
The Conformist (Bernardo Bertolucci, 1969) |
41 |
5 |
- |
| |
Stalker (Andrei Tarkovsky, 1979) |
41 |
8 |
- |
| #45 |
Pierrot le Fou (Jean-Luc Godard, 1965) |
40.5 |
5 |
1 |
| #46 |
The Mirror (Andrei Tarkovsky, 1975) |
40 |
5 |
3 |
| #47 |
The Shawshank Redemption (Frank Darabont, 1994) |
38.5 |
6 |
- |
| |
La Strada (Federico Fellini, 1954) |
38.5 |
7 |
2 |
| #49 |
Sansho the Baliff (Kenji Mizoguchi, 1954) |
38 |
6 |
- |
| #50 |
Rushmore (Wes Anderson, 1998) |
37 |
4 |
3 |
| #47 |
The General (Buster Keaton & Clyde Bruckman, 1927) |
34.5 |
5 |
- |
| #48 |
Annie Hall (Woody Allen, 1977) |
34 |
7 |
- |
| #50 |
Cries and Whispers (Ingmar Bergman, 1972) |
33 |
7 |
1 |
| #53 |
The Wild Bunch (Sam Peckinpah, 1969) |
31.5 |
4 |
1 |
| #54 |
Blade Runner (Ridley Scott, 1982) |
31 |
6 |
- |
| |
Grand Illusion (Jean Renoir, 1937) |
31 |
4 |
1 |
| |
In the Mood for Love (Wong Kar Wai, 2000) |
31 |
6 |
1 |
| |
Once Upon a Time in America (Sergio Leone, 1984) |
31 |
4 |
- |
| #58 |
North by Northwest (Alfred Hitchcock, 1959) |
30.5 |
6 |
- |
| |
Touch of Evil (Orson Welles, 1958) |
30.5 |
6 |
- |
| |
Wild Strawberries (Ingmar Bergman, 1957) |
30.5 |
6 |
- |
| #61 |
The 400 Blows (Francois Truffaut, 1959) |
30 |
6 |
- |
| |
A Man Escaped (Robert Bresson, 1956) |
30 |
5 |
- |
| |
Sherlock Jr. (Buster Keaton, 1924) |
30 |
5 |
- |
| #65 |
Singin' in the Rain (Stanley Donen & Gene Kelly, 1952) |
29.5 |
7 |
- |
| #66 |
Brazil (Terry Gilliam, 1985) |
29 |
4 |
- |
| |
Week-End (Jean-Luc Godard, 1967) |
29 |
6 |
- |
| |
Duck Soup (Leo McCarey, 1933) |
28.5 |
5 |
- |
| #70 |
Battleship Potemkin (Sergei Eisenstein, 1925) |
26 |
5 |
- |
| |
Black Narcissus (Michael Powell & Emeric Pressburger, 1947) |
26 |
4 |
- |
| |
Close Up (Abbas Kiarostami, 1990) |
26 |
5 |
- |
| |
Late Spring (Yasujiro Ozu, 1949) |
26 |
4 |
- |
| |
Days of Heaven (Terrence Malick, 1978) |
26 |
3 |
1 |
| |
Modern Times (Charlie Chaplin, 1935) |
26 |
4 |
- |
| #76 |
The Magnificent Ambersons (Orson Welles, 1941) |
25 |
4 |
1 |
| |
McCabe & Mrs. Miller (Robert Altman, 1970) |
25 |
4 |
2 |
| #78 |
Eyes Wide Shut (Stanley Kubrick, 1999) |
24 |
4 |
1 |
| |
Gone with the Wind (Victor Fleming, 1939) |
24 |
4 |
1 |
| #80 |
Mulholland Dr. (David Lynch, 2001) |
23.5 |
3 |
- |
| |
Sunset Blvd. (Billy Wilder, 1950) |
23.5 |
8 |
- |
| #82 |
Fargo (Joel Coen, 1996) |
23 |
3 |
1 |
| |
It's A Wonderful Life (Frank Capra, 1946) |
23 |
6 |
- |
| |
Magnolia (P.T. Anderson, 1999) |
23 |
4 |
- |
| |
The Night of the Hunter (Charles Laughton, 1955) |
23 |
5 |
1 |
| #86 |
Beau Travail (Claire Denis, 1999) |
22 |
4 |
- |
| |
The Good, the Bad and the Ugly (Sergio Leone, 1966) |
22 |
4 |
- |
| |
The Red Shoes (Michael Powell & Emeric Pressburger, 1949) |
22 |
5 |
- |
| |
Woman in the Dunes (Hiroshi Teshigahara, 1964) |
22 |
4 |
- |
| #90 |
Pather Panchali (Satyajit Ray, 1955) |
21.5 |
4 |
- |
| #91 |
L'Atalante (Jean Vigo, 1934) |
21 |
3 |
1 |
| |
Fanny and Alexander (Ingmar Bergman, 1982) |
21 |
4 |
- |
| #93 |
F for Fake (Orson Welles, 1974) |
20.5 |
4 |
- |
| |
Nashville (Robert Altman, 1975) |
20.5 |
3 |
- |
| #95 |
The Devil is a Woman (Josef von Sternberg, 1935) |
20 |
2 |
2 |
| |
The Leopard (Luchino Visconti, 1963) |
20 |
3 |
- |
| |
Notorious (Alfred Hitchcock, 1946) |
20 |
3 |
- |
| #98 |
The Umbrellas of Cherbourg (Jacques Demy, 1964) |
19.5 |
4 |
- |
| #99 |
City Lights (Charles Chaplin, 1931) |
19 |
6 |
- |
| |
Dekalog (Krzysztof Kieslowski, 1989) |
19 |
4 |
- |
| |
The English Patient (Anthony Minghella, 1996) |
19 |
2 |
1 |
| |
Greed (Erich von Stroheim, 1925) |
19 |
3 |
- |
| |
Ikiru (Akira Kurosawa, 1952) |
19 |
3 |
- |
| |
The Life of Oharu (Kenji Mizoguchi, 1952) |
19 |
4 |
1 |
| |
The Matrix (Wachowski Brothers, 1999) |
19 |
3 |
- |
| |
Picnic At Hanging Rock (Peter Weir, 1975) |
19 |
4 |
- |
| #107 |
American Beauty (Sam Mendes, 1999) |
18.5 |
3 |
- |
| |
The Apartment (Billy Wilder, 1960) |
18.5 |
4 |
- |
| |
Dead Man (Jim Jarmusch, 1995) |
18.5 |
5 |
- |
| |
L'Eclisse (Michelangelo Antonioni, 1962) |
18.5 |
4 |
- |
| |
Raiders of the Lost Ark (Steven Spielberg, 1981) |
18.5 |
3 |
1 |
| #112 |
Holy Mountain (Alejandro Jodorowsky, 1973) |
18 |
2 |
1 |
| |
The Shanghai Gesture (Josef von Sternberg, 1941) |
18 |
2 |
- |
| #114 |
Bringing up Baby (Howard Hawks, 1938) |
17.5 |
4 |
- |
| |
Jaws (Steven Spielberg, 1975) |
17.5 |
3 |
- |
| |
The Shining (Stanley Kubrick, 1980) |
17.5 |
4 |
- |
| #117 |
The Big Lebowski (Joel Coen, 1998) |
17 |
4 |
1 |
| |
Forrest Gump (Robert Zemeckis, 1994) |
17 |
3 |
- |
| |
Monsieur Hulot's Holiday (Jacques Tati, 1953) |
17 |
2 |
- |
| |
The Unbearable Lightness of Being (Philip Kaufman, 1988) |
17 |
3 |
- |
| |
Wavelength (Michael Snow, 1967) |
17 |
2 |
1 |
| #122 |
L'Argent (Robert Bresson, 1983) |
16.5 |
3 |
- |
| |
The Empire Strikes Back (Irvin Kirshner, 1980) |
16.5 |
4 |
1 |
| |
Faust (F.W. Murnau, 1926) |
16.5 |
3 |
- |
| #125 |
La Belle et la bête (Jean Cocteau, 1946) |
16 |
3 |
- |
| |
Dr. Zhivago (David Lean, 1965) |
16 |
3 |
- |
| |
Grave of the Fireflies (Isao Takahata, 1988) |
16 |
4 |
- |
| |
Red River (Howard Hawks, 1948) |
16 |
3 |
- |
| |
A Woman Under the Influence (John Casevettes, 1974) |
16 |
5 |
- |
| #130 |
Day of Wrath (Carl Theodor Dreyer, 1943) |
15.5 |
3 |
- |
| |
Full Metal Jacket (Stanley Kubrick, 1987) |
15.5 |
2 |
1 |
| #124 |
The Breakfast Club (John Hughes, 1985) |
15 |
2 |
- |
| |
Rosemary's Baby (Roman Polanski, 1968) |
15 |
2 |
1 |
| |
Schindler's List (Steven Spielberg, 1993) |
15 |
3 |
1 |
| |
Sátántangó (Béla Tarr, 1994) |
15 |
3 |
- |
| #129 |
Un chien andalou (Luis Buñuel, 1929) |
14.5 |
2 |
- |
| |
Hannah and Her Sisters (Woody Allen, 1986) |
14.5 |
3 |
- |
| |
The Man with the Movie Camera (Dziga Vertov, 1929) |
14.5 |
2 |
- |
| |
Orphée (Jean Cocteau, 1949) |
14.5 |
2 |
- |
| #135 |
The Big Sleep (Howard Hawks, 1946) |
14 |
3 |
- |
| |
Dog Day Afternoon (Sidney Lumet, 1975) |
14 |
2 |
- |
| |
The Exorcist (William Friedkin, 1973) |
14 |
3 |
- |
| |
Scenes from a Marriage (Ingmar Bergman, 1973) |
14 |
3 |
- |
| |
Sweet Smell of Success (Alexander Mackendrick, 1957) |
14 |
2 |
- |
| |
Wages of Fear (Henri-Georges Clouzot, 1953) |
14 |
3 |
- |
| |
Wings of Desire (Wim Wenders, 1987) |
14 |
4 |
- |
| #143 |
The Last Laugh (F.W. Murnau, 1924) |
13.5 |
2 |
- |
| |
M (Fritz Lang, 1931) |
13.5 |
3 |
- |
| #145 |
The Lord of the Rings: The Two Towers (Peter Jackson, 2002) |
13 |
2 |
- |
| |
The Manchurian Candidate (John Frankenheimer, 1962) |
13 |
3 |
- |
| |
Paths of Glory (Stanley Kubrick, 1957) |
13 |
2 |
1 |
| |
The Story of the Late Chrysanthemums (Kenji Mizoguchi, 1939) |
13 |
2 |
- |
| |
Throne of Blood (Akira Kurosawa, 1957) |
13 |
3 |
- |
| |
To Be Or Not To Be (Ernst Lubitsch, 1942) |
13 |
3 |
- |
| |
Viaggio in Italia (Roberto Rosselini, 1953) |
13 |
3 |
- |
| #152 |
Close Encounters of the Third Kind (Steven Spielberg, 1977) |
12.5 |
2 |
- |
| |
The French Connection (William Friedkin, 1971) |
12.5 |
2 |
- |
| |
Metropolis (Fritz Lang, 1927) |
12.5 |
3 |
- |
| |
Shadow of a Doubt (Alfred Hitchcock, 1943) |
12.5 |
2 |
- |
| #156 |
Gertrud (Carl Dreyer, 1964) |
12 |
2 |
- |
| |
Rebel Without a Cause (Nicholas Ray, 1955) |
12 |
3 |
- |
| |
Trois Couleurs: Rouge (Krzysztof Kieslowski, 1994) |
12 |
2 |
- |
| #160 |
Badlands (Terrence Malick, 1973) |
11.5 |
2 |
- |
| |
Ivan the Terrible, Parts I & II (Sergei Eisenstein, 1944-46) |
11.5 |
3 |
- |
| |
Madame de... (Max Ophüls, 1953) |
11.5 |
2 |
- |
| |
A Night at the Opera (Sam Wood, 1935) |
11.5 |
3 |
- |
| #164 |
Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1972) |
11 |
2 |
- |
| |
King Kong (Merian C. Cooper/Ernest B. Schoedsack, 1933) |
11 |
2 |
- |
| |
Marnie (Alfred Hitchcock, 1964) |
11 |
2 |
- |
| |
Los Olvidados (Luis Bunuel, 1950) |
11 |
2 |
- |
| |
La Région centrale (Michael Snow, 1971) |
11 |
2 |
- |
| |
Scarface (Brian De Palma, 1983) |
11 |
2 |
- |
| |
Stolen Kisses (François Truffaut, 1968) |
11 |
2 |
- |
| |
That Obscure Object of Desire (Luis Buñuel, 1977) |
11 |
2 |
- |
| |
The Trial (Orson Welles, 1962) |
11 |
2 |
- |
| |
What Ever Happened to Baby Jane? (Robert Aldrich, 1962) |
11 |
2 |
- |
| #175 |
The Apu Trilogy (Satyajit Ray, 1955-59) |
10.5 |
3 |
- |
| |
Bande à part (Jean-Luc Godard, 1964) |
10.5 |
2 |
- |
| |
Hoop Dreams (Steve James, 1994) |
10.5 |
2 |
- |
| #178 |
The Adventures of Buckaroo Banzai (W.D. Richter, 1984) |
10 |
1 |
1 |
| |
Almost Famous (Cameron Crowe, 2000) |
10 |
1 |
1 |
| |
Auntie Mame (Morton DaCosta, 1958) |
10 |
1 |
1 |
| |
Bride of Frankenstein (James Whale, 1935) |
10 |
2 |
- |
| |
Les Deux anglaises et le continent (François Truffaut, 1971) |
10 |
1 |
1 |
| |
Early Summer (Yasujiro Ozu, 1951) |
10 |
2 |
- |
| |
Foolish Wives (Erich von Stroheim, 1922) |
10 |
1 |
1 |
| |
Frank Miller's Sin City (Robert Rodriguez & Frank Miller, 2005) |
10 |
1 |
1 |
| |
Gandhi (Richard Attenborough, 1982) |
10 |
2 |
- |
| |
Good Morning (Yasujiro Ozu, 1959) |
10 |
1 |
1 |
| |
Husbands and Wives (Woody Allen, 1992) |
10 |
2 |
- |
| |
In a Lonely Place (Nicholas Ray, 1951) |
10 |
2 |
- |
| |
The Life and Death of Colonel Blimp (Powell/Pressburger, 1943) |
10 |
2 |
- |
| |
Lonesome Dove (Simon Wincer, 1989) |
10 |
1 |
1 |
| |
The Loyal 47 Ronin (Kenji Mizoguchi, 1942) |
10 |
1 |
1 |
| |
Mildred Pierce (Michael Curtiz, 1945) |
10 |
2 |
- |
| |
Mon Oncle (Jacques Tati, 1958) |
10 |
3 |
- |
| |
Moulin Rouge (Baz Luhrmann, 2001) |
10 |
3 |
- |
| |
The Palm Beach Story (Preston Sturges, 1942) |
10 |
1 |
1 |
| |
Peeping Tom (Michael Powell, 1960) |
10 |
1 |
1 |
| |
The Piano (Jane Campion, 1993) |
10 |
1 |
1 |
| |
Pickpocket (Robert Bresson, 1959) |
10 |
3 |
- |
| |
The Sacrifice (Andrei Tarkovsky, 1986) |
10 |
1 |
1 |
| |
Safe (Todd Haynes, 1995) |
10 |
1 |
1 |
| |
The Thin Red Line (Terrence Malick, 1998) |
10 |
1 |
1 |
| |
Those who Love Me Can Take the Train (Patrice Chéreau, 1998) |
10 |
1 |
1 |
| #204 |
Das Boot (Wolfgang Petersen, 1981) |
9.5 |
2 |
- |
| |
The Deer Hunter (Michael Cimino, 1978) |
9.5 |
1 |
- |
| |
La Dolce Vita (Federico Fellini, 1960) |
9.5 |
3 |
- |
| |
Pee-wee's Big Adventure (Tim Burton, 1985) |
9.5 |
2 |
- |
| |
Raising Arizona (Joel Coen, 1987) |
9.5 |
2 |
- |
| |
Videodrome (David Cronenberg, 1983) |
9.5 |
2 |
- |
| #211 |
The Battle of Algiers (Gillo Pontecorvo, 1965) |
9 |
1 |
- |
| |
Being There (Hal Ashby, 1979) |
9 |
2 |
- |
| |
The Cabinet of Dr. Caligari (Robert Weine, 1920) |
9 |
1 |
- |
| |
Charulata (Satyajit Ray, 1964) |
9 |
2 |
- |
| |
Cinema Paradiso (Giuseppe Tornatore, 1988) |
9 |
1 |
- |
| |
Città violenta (Sergio Sollima, 1970) |
9 |
1 |
- |
| |
The Discreet Charm of the Bourgeoisie (Luis Bunuel, 1972) |
9 |
2 |
- |
| |
Don't Look Now (Nicholas Roeg, 1973) |
9 |
1 |
- |
| |
Ed Wood (Tim Burton, 1994) |
9 |
2 |
- |
| |
Gates of Heaven (Errol Morris, 1980) |
9 |
2 |
- |
| |
India (Roberto Rosselini, 1958) |
9 |
1 |
- |
| |
The Jungle Book (Wolfgang Reitherman, 1967) |
9 |
1 |
- |
| |
The Long Day Closes (Terrence Malick, 1993) |
9 |
1 |
- |
| |
La Maman et la putain (Jean Eustache, 1973) |
9 |
1 |
- |
| |
My Friend Ivan Lapshan (Aleksei German, 1954) |
9 |
1 |
- |
| |
Nostalghia (Andrei Tarkovsky, 1983) |
9 |
1 |
- |
| |
On the Waterfront (Elia Kazan, 1954) |
9 |
2 |
- |
| |
The Parent Trap (David Swift, 1961) |
9 |
1 |
- |
| |
The Passion of the Christ (Mel Gibson, 2004) |
9 |
1 |
- |
| |
Phantom of the Paradise (Brian De Palma, 1974) |
9 |
1 |
- |
| |
The Princess Bride (Rob Reiner, 1987) |
9 |
1 |
- |
| |
Rio Bravo (Howard Hawks, 1959) |
9 |
4 |
- |
| |
Saving Private Ryan (Steven Spielberg, 1998) |
9 |
3 |
- |
| |
Sayat Nova: The Colour of Pomegranates (Sergei Parajanov, 1969) |
9 |
1 |
- |
| |
Stranger than Paradise (Jim Jarmusch, 1984) |
9 |
1 |
- |
| |
Sullivan's Travels (Preston Sturges, 1941) |
9 |
1 |
- |
| |
Superman (Richard Donner, 1978) |
9 |
1 |
- |
| |
True Romance (Tony Scott, 1993) |
9 |
1 |
- |
| |
Unsere Afrikareise (Peter Kubelka, 1966) |
9 |
1 |
- |
| |
Walkabout (Nicolas Roeg, 1971) |
9 |
1 |
- |
| |
A Woman is a Woman (Jean-Luc Godard, 1961) |
9 |
2 |
- |
| |
Yojimbo (Akira Kurosawa, 1961) |
9 |
1 |
- |
| #244 |
2046 (Wong Kar-wai, 2004) |
8 |
1 |
- |
| |
Arabic Series (Stan Brakhage, 1981) |
8 |
1 |
- |
| |
Breaking the Waves (Lars von Trier, 1996) |
8 |
1 |
- |
| |
Bring Me the Head of Alfredo Garcia (Sam Peckinpah, 1974) |
8 |
2 |
- |
| |
Bull Durham (Ron Shelton, 1988) |
8 |
1 |
- |
| |
Cabaret (Bob Fosse, 1972) |
8 |
1 |
- |
| |
Casino (Martin Scorsese, 1995) |
8 |
2 |
- |
| |
Castle in the Sky (Hayao Miyazaki, 1986) |
8 |
1 |
- |
| |
Day of the Dead (George A. Romero, 1985) |
8 |
1 |
- |
| |
Dinner at Eight (George A. Cukor, 1933) |
8 |
1 |
- |
| |
The Enigma of Kasper Hauser (Werner Herzog, 1974) |
8 |
1 |
- |
| |
Field of Dreams (Phil Alden Robinson, 1989) |
8 |
1 |
- |
| |
Hour of the Wolf (Ingmar Bergman, 1968) |
8 |
1 |
- |
| |
In the Heat of the Night (Norman Jewison, 1967) |
8 |
1 |
- |
| |
Juliet of the Spirits (Federico Fellini, 1965) |
8 |
1 |
- |
| |
Kiss Me Deadly (Robert Aldrich, 1955) |
8 |
1 |
- |
| |
Lilies - Les feluettes (John Greyson, 1966) |
8 |
1 |
- |
| |
The Lord of the Rings Trilogy (Peter Jackson, 2001-03) |
8 |
2 |
- |
| |
The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001) |
8 |
1 |
- |
| |
The Lord of the Rings: The Return of the King (Peter Jackson, 2003) |
8 |
1 |
- |
| |
The Maltese Falcon (John Huston, 1941) |
8 |
2 |
- |
| |
Meshes of the Afternoon (Maya Deren, 1943) |
8 |
2 |
- |
| |
The Scarlet Empress (Josef von Sternberg, 1934) |
8 |
1 |
- |
| |
Shane (George Stevens, 1953) |
8 |
1 |
- |
| |
Sleuth (Joseph L. Mankiewicz, 1972) |
8 |
1 |
- |
| |
Spring In a Small Town (Fei Mu, 1948) |
8 |
1 |
- |
| |
The Stunt Man (Richard Rush, 1980) |
8 |
1 |
- |
| |
Through A Glass, Darkly (Ingmar Bergman, 1961) |
8 |
2 |
- |
| |
Trois couleurs Trilogy (Krzysztof Kieslowski, 1993-94) |
8 |
1 |
- |
| |
Unforgiven (Clint Eastwood, 1992) |
8 |
2 |
- |
| |
Viridiana (Luis Buñuel, 1961) |
8 |
1 |
- |
| |
Vivre sa vie (My Life to Live) (Jean-Luc Godard, 1962) |
8 |
3 |
- |
| |
Werckmeister Harmonies (Béla Tarr, 2000) |
8 |
2 |
- |
| |
West of Zanzibar (Tod Browning, 1928) |
8 |
1 |
- |
| #278 |
The Cloud-Capped Star (Ritwik Ghatak, 1960) |
7.5 |
2 |
- |
| |
Manhattan (Woody Allen, 1979) |
7.5 |
2 |
- |
| |
Only Angels Have Wings (Howard Hawks, 1939) |
7.5 |
2 |
- |
| #281 |
The Boondock Saints (Troy Duffy, 1999) |
7 |
1 |
- |
| |
Branded to Kill (Seijun Suzuki, 1967) |
7 |
1 |
- |
| |
Children of Paradise (Marcel Carné, 1945) |
7 |
2 |
- |
| |
Cleo from 5 to 7 (Agnès Varda, 1961) |
7 |
2 |
- |
| |
La Commune (de Paris, 1871) (Peter Watkins, 2000) |
7 |
1 |
- |
| |
Dersu Uzala (Akira Kurosawa, 1975) |
7 |
1 |
- |
| |
The Devils (Ken Russell, 1971) |
7 |
1 |
- |
| |
Double Indemnity (Billy Wilder, 1944) |
7 |
2 |
- |
| |
Dumbo (Ben Sharpsteen, 1941) |
7 |
1 |
- |
| |
Earth (Aleksander Dovzhenko, 1930) |
7 |
1 |
- |
| |
Easy Rider (Dennis Hopper, 1969) |
7 |
1 |
- |
| |
The Gambler (Karel Reisz, 1974) |
7 |
1 |
- |
| |
Heaven's Gate (Michael Cimino, 1980) |
7 |
1 |
- |
| |
If... (Lindsay Anderson, 1968) |
7 |
1 |
- |
| |
It's a Gift (Norman Z. McLeod, 1934) |
7 |
1 |
- |
| |
Kagemusha (Akira Kurosawa, 1980) |
7 |
1 |
- |
| |
The Lady Vanishes (Alfred Hitchcock, 1938) |
7 |
1 |
- |
| |
Lolita (Stanley Kubrick, 1962) |
7 |
2 |
- |
| |
Neon Genesis Evangelion: The End of Evangelion (Kazuya Tsurumaki and Hideaki Anno, 1997) |
7 |
1 |
- |
| |
The Red Circle (Jean-Pierre Mellville, 1970) |
7 |
2 |
- |
| |
The Return (Andrei Zvyagintsev, 2003) |
7 |
1 |
- |
| |
The Shop on Main Street (Ján Kadár/Elmar Klos, 1965) |
7 |
1 |
- |
| |
The Sword of Doom (Kihachi Okamoto, 1966) |
7 |
1 |
- |
| |
Voyage to Cythera (Theo Angelopoulos, 1984) |
7 |
1 |
- |
| |
West Side Story (Jerome Robbins & Robert Wise, 1961) |
7 |
2 |
- |
| |
Winter Light (Ingmar Bergman, 1963) |
7 |
3 |
- |
| |
The Wrong Man (Alfred Hitchcock, 1956) |
7 |
1 |
- |
| #308 |
Dawn of the Dead (George A. Romero, 1979) |
6.5 |
2 |
- |
| |
Tokyo Olympiad (Kon Ichikawa, 1965) |
6.5 |
2 |
- |
| |
The Wicker Man (Robin Hardy, 1973) |
6.5 |
2 |
- |
| #311 |
12 Angry Men (Sidney Lumet, 1957) |
6 |
2 |
- |
| |
The Adjuster (Atom Egoyan, 1991) |
6 |
1 |
- |
| |
Amadeus (Milos Forman, 1984) |
6 |
1 |
- |
| |
Birth of A Nation (D.W. Griffith, 1915) |
6 |
1 |
- |
| |
Bullets over Broadway (Woody Allen, 1994) |
6 |
1 |
- |
| |
Dead Ringers (David Cronenberg, 1988) |
6 |
1 |
- |
| |
E.T. the Extra-Terrestrial (Steven Spielberg, 1982) |
6 |
1 |
- |
| |
The Element of Crime (Lars von Trier, 1984) |
6 |
1 |
- |
| |
Groundhog Day (Harold Ramis, 1993) |
6 |
1 |
- |
| |
The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964) |
6 |
2 |
- |
| |
Harold and Maude (Hal Ashby, 1971) |
6 |
1 |
- |
| |
His Girl Friday (Howard Hawks, 1940) |
6 |
2 |
- |
| |
Invaders From Mars (William Cameron Menzies, 1953) |
6 |
1 |
- |
| |
Invasion of the Body Snatchers (Don Siegel, 1956) |
6 |
1 |
- |
| |
Last Tango in Paris (Bernardo Bertolucci, 1972) |
6 |
2 |
- |
| |
A Mighty Wind (Christopher Guest, 2003) |
6 |
1 |
- |
| |
My Man Godfrey (Gregory La Cava, 1936) |
6 |
1 |
- |
| |
One Hour With You (Ernst Lubitsch, 1932) |
6 |
1 |
- |
| |
Our Hospitality (Buster Keaton/John G. Blystone, 1923) |
6 |
1 |
- |
| |
The Phantom of Liberty (Luis Buñuel, 1974) |
6 |
1 |
- |
| |
Rebecca (Alfred Hitchcock, 1940) |
6 |
1 |
- |
| |
Le Sang des bêtes (Georges Franju, 1949) |
6 |
1 |
- |
| |
Schizopolis (Steven Soderbergh, 1996) |
6 |
1 |
- |
| |
Snatch (Guy Ritchie, 2000) |
6 |
2 |
- |
| |
Some Like it Hot (Billy Wilder, 1959) |
6 |
1 |
- |
| |
Sorry, Wrong Number (Anatole Litvak, 1948) |
6 |
1 |
- |
| |
Spirited Away (Hayao Miyazaki, 2001) |
6 |
1 |
- |
| |
Tokyo Drifter (Seijun Suzuki, 1966) |
6 |
1 |
- |
| |
Viva La Muerte (Fernando Arrabal, 1971) |
6 |
1 |
- |
| #340 |
Airplane! (Jim Abrahams, David & Jerry Zucker, 198) |
5.5 |
1 |
- |
| |
All That Heaven Allows (Douglas Sirk, 1955) |
5.5 |
1 |
- |
| |
Angels with Dirty Faces (Michael Curtiz, 1938) |
5.5 |
1 |
- |
| |
The Bad Seed (Mervyn LeRoy, 1956) |
5.5 |
1 |
- |
| |
Bananas (Woody Allen, 1971) |
5.5 |
1 |
- |
| |
The Bellboy (Jerry Lewis, 1960) |
5.5 |
1 |
- |
| |
Beyond a Reasonable Doubt (Fritz Lang, 1956) |
5.5 |
1 |
- |
| |
Beyond the Valley of the Dolls (Russ Meyer, 1970) |
5.5 |
1 |
- |
| |
Bigger Than Life (Nicholas Ray, 1956) |
5.5 |
1 |
- |
| |
The Birds (Alfred Hitchcock, 1963) |
5.5 |
1 |
- |
| |
Boyfriends and Girlfriends (Eric Rohmer, 1987) |
5.5 |
1 |
- |
| |
Burnt by the Sun (Nikita Mikhalkov, 1994) |
5.5 |
1 |
- |
| |
Caro Diario (Nanni Moretti, 1991) |
5.5 |
1 |
- |
| |
Carrie (Brian De Palma, 1976) |
5.5 |
1 |
- |
| |
Chungking Express (Wong Kar-wai, 1994) |
5.5 |
1 |
- |
| |
The Color Purple (Steven Spielberg, 1985) |
5.5 |
1 |
- |
| |
Cure (Kiyoshi Kurosawa, 1997) |
5.5 |
1 |
- |
| |
A Day In The Country (Jean Renoir, 1936) |
5.5 |
1 |
- |
| |
Dead or Alive 2 (Takashi Miike, 2000) |
5.5 |
1 |
- |
| |
The Deer Hunter (Michael Cimino, 1978) |
5.5 |
1 |
- |
| |
Distant Voices, Still Lives (Terence Davies, 1988) |
5.5 |
1 |
- |
| |
Dogville (Lars von Trier, 2003) |
5.5 |
1 |
- |
| |
Le Doulos (Jean-Pierre Melville, 1962) |
5.5 |
1 |
- |
| |
Dybbuk (Michal Waszynski, 1937) |
5.5 |
1 |
- |
| |
The End of Summer (Yasujiro Ozu, 1960) |
5.5 |
1 |
- |
| |
The Exterminating Angel (Luis Buñuel, 1962) |
5.5 |
1 |
- |
| |
Fantasia (Walt Disney, 1940) |
5.5 |
1 |
- |
| |
The Foreigner (Amos Poe, 1978) |
5.5 |
1 |
- |
| |
Freaks (Tod Browning, 1932) |
5.5 |
1 |
- |
| |
Get Carter (Mike Hodges, 1971) |
5.5 |
1 |
- |
| |
Ghost in the Shell 2: Innocence (Mamoru Oshii, 2004) |
5.5 |
1 |
- |
| |
Glen or Glenda (Edward D. Wood Jr., 1953) |
5.5 |
1 |
- |
| |
The Green Ray (Eric Rohmer, 1986) |
5.5 |
1 |
- |
| |
Hellzapoppin' (H.C. Potter, 1941) |
5.5 |
1 |
- |
| |
The Hour of the Furnaces (Fernando E. Solanas/Octavio Getino, 1968) |
5.5 |
1 |
- |
| |
Humanity and Paper Balloons (Sadao Yamanaka, 1937) |
5.5 |
1 |
- |
| |
I was Born, but... (Yasujiro Ozu, 1932) |
5.5 |
1 |
- |
| |
In a Year of 13 Moons (Rainer Werner Fassbinder, 1978) |
5.5 |
1 |
- |
| |
Inferno (Dario Argento, 1980) |
5.5 |
1 |
- |
| |
Intentions of Murder (Shohei Imamura, 1964) |
5.5 |
1 |
- |
| |
Intolerance (D.W. Griffith, 1916) |
5.5 |
1 |
- |
| |
Irma Vep (Olivier Assayas, 1996) |
5.5 |
1 |
- |
| |
Johnny Guitar (Nicholas Ray, 1954) |
5.5 |
1 |
- |
| |
Landscape in the Mist (Theo Angelopoulos, 1988) |
5.5 |
1 |
- |
| |
Last Year At Marienbad (Alain Resnais, 1960) |
5.5 |
1 |
- |
| |
Lessons of Darkness (Werner Herzog, 1992) |
5.5 |
1 |
- |
| |
Little Big Man (Arthur Penn, 1970) |
5.5 |
1 |
- |
| |
Man's Castle (Frank Borzage, 1933) |
5.5 |
1 |
- |
| |
Man’s Favorite Sport?
(Howard Hawks, 1964) |
5.5 |
1 |
- |
|
Mothlight (Stan Brakhage, 1963) |
5.5 |
1 |
- |
| |
Nausicaä of the Valley of the Winds (Hayao Miyazaki, 1984) |
5.5 |
1 |
- |
|
Ninotchka (Ernst Lubitsch, 1939) |
5.5 |
1 |
- |
| |
Olympia (Leni Riefenstahl, 1938) |
5.5 |
1 |
- |
| |
Out 1: Spectre (Jacques Rivette, 1972) |
5.5 |
1 |
- |
| |
Paper Flowers (Guru Dutt, 1959) |
5.5 |
1 |
- |
| |
Performance (Donald Cammell, Nicolas Roeg, 1970) |
5.5 |
1 |
- |
| |
The Phenix City Story (Phil Karlson, 1955) |
5.5 |
1 |
- |
| |
The Pillow Book (Peter Greenaway, 1996) |
5.5 |
1 |
- |
| |
Planet of the Apes (Franklin J. Schaffner, 1968) |
5.5 |
1 |
- |
| |
The Red and the White (Miklós Jancsó, 1967) |
5.5 |
1 |
- |
| |
The Reflecting Skin (Philip Ridley, 1990) |
5.5 |
1 |
- |
| |
Remains of the Day (James Ivory, 1993) |
5.5 |
1 |
- |
| |
Repo Man (Alex Cox, 1984) |
5.5 |
1 |
- |
| |
The Road Warrior (George Miller, 1981) |
5.5 |
1 |
- |
| |
Runaway Train (Andrei Konchalovsky, 1985) |
5.5 |
1 |
- |
| |
Scum (Alan Clarke, 1979) |
5.5 |
1 |
- |
| |
Seven Beauties (Lina Wertmüller, 1975) |
5.5 |
1 |
- |
| |
Shadows (John Cassavetes, 1959) |
5.5 |
1 |
- |
| |
Shall We Dance? (Masayuki Suo, 1996) |
5.5 |
1 |
- |
| |
Shoah (Claude Lanzmann, 1985) |
5.5 |
1 |
- |
| |
Shoeshine (Vittorio De Sica, 1946) |
5.5 |
1 |
- |
| |
Shoot the Piano Player (Francois Truffaut, 1960) |
5.5 |
1 |
- |
| |
Sorcerer (William Friedkin, 1977) |
5.5 |
1 |
- |
| |
South Park: Bigger Longer & Uncut (Trey Parker, 1999) |
5.5 |
1 |
- |
| |
A Star is Born (William Wellman, 1937) |
5.5 |
1 |
- |
| |
Tales of Hoffmann (Richard Oswald, 1916) |
5.5 |
1 |
- |
| |
Ten (Abbas Kiarostami, 2002) |
5.5 |
1 |
- |
| |
They Live By Night (Nicholas Ray, 1948) |
5.5 |
1 |
- |
| |
This is Spinal Tap (Rob Reiner, 1984) |
5.5 |
1 |
- |
| |
Three Years Without God (Mario O'Hara, 1977) |
5.5 |
1 |
- |
| |
A Time To Love And A Time To Die (Douglas Sirk, 1958) |
5.5 |
1 |
- |
| |
To Have and Have Not (Howard Hawks, 1944) |
5.5 |
1 |
- |
| |
A Touch of Zen (King Hu, 1969) |
5.5 |
1 |
- |
| |
Tout va bien (Jean-Luc Godard, 1972) |
5.5 |
1 |
- |
| |
Trois Couleurs: Bleu (Krzysztof Kieslowski, 1993) |
5.5 |
1 |
- |
| |
Two or Three Things I Know About Her (Jean-Luc Godard, 1966) |
5.5 |
1 |
- |
| |
What's Opera, Doc? (Chuck Jones, 1957) |
5.5 |
1 |
- |
| |
The White Balloon (Jafar Panahi, 1995) |
5.5 |
1 |
- |
| |
Zigeunerweisen (Seijun Suzuki, 1980) |
5.5 |
1 |
- |
| #429 |
1900 (Bernardo Bertolucci, 1976) |
5 |
1 |
- |
| |
The Adventures of Prince Achmed (Lotte Reiniger, 1926) |
5 |
3 |
- |
| |
All About Eve (Joseph L. Mankiewicz, 1950) |
5 |
3 |
- |
| |
American History X (Tony Kaye, 1998) |
5 |
1 |
- |
| |
Anne of Green Gables (Kevin Sullivan, 1985) |
5 |
1 |
- |
| |
Apartment Zero (Martin Donovan, 1988) |
5 |
1 |
- |
| |
Come and See (Elem Klimov, 1985) |
5 |
1 |
- |
| |
Crouching Tiger, Hidden Dragon (Ang Lee, 2000) |
5 |
2 |
- |
| |
Diary of a Country Priest (Robert Bresson, 1951) |
5 |
1 |
- |
| |
Donnie Brasco (Mike Newell, 1997) |
5 |
1 |
- |
| |
Dune (David Lynch, 1984) |
5 |
1 |
- |
| |
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) |
5 |
2 |
- |
| |
Gun Crazy (Joseph H Lewis, 1949) |
5 |
1 |
- |
| |
L'Humanité (Bruno Dumont, 1999) |
5 |
1 |
- |
| |
I am Cuba/Soy Cuba (Mikhail Kalatazov, 1964) |
5 |
1 |
- |
| |
Imitation of Life (Douglas Sirk, 1959) |
5 |
1 |
- |
| |
The Killer (John Woo, 1989) |
5 |
1 |
- |
| |
The Last Emperor (Bernardo Bertolucci, 1987) |
5 |
1 |
- |
| |
Last Tempatation of Christ (Martin Scorsese, 1988) |
5 |
1 |
- |
| |
Lola Montès (Max Ophuls, 1955) |
5 |
1 |
- |
| |
Love Steams (John Cassavetes, 1984) |
5 |
1 |
- |
| |
The Man Who Came to Dinner (William Keighley, 1942) |
5 |
1 |
- |
| |
My Darling Clementine (John Ford, 1946) |
5 |
1 |
- |
| |
My Own Private Idaho (Gus Van Sant, 1991) |
5 |
1 |
- |
| |
News from Home (Chantal Akerman, 1977) |
5 |
1 |
- |
| |
The Piano Teacher (Michael Haneke, 2001) |
5 |
1 |
- |
| |
Red Beard (Akira Kurosawa, 1965) |
5 |
1 |
- |
| |
Red Desert (Michelangelo Antonioni, 1964) |
5 |
1 |
- |
| |
Roman Holiday (William Wyler, 1953) |
5 |
1 |
- |
| |
Sense and Sensibility (Ang Lee, 1995) |
5 |
1 |
- |
| |
Seppuku (Masaki Kobayashi, 1962) |
5 |
1 |
- |
| |
Spoorloos (The Vanishing) (George Sluizer, 1988) |
5 |
1 |
- |
| |
Tabu (F.W. Murnau, 1930) |
5 |
1 |
- |
| |
Teorema (Pier Paolo Pasolini, 1968) |
5 |
1 |
- |
| |
The Twilight Samurai (Yoji Yamada, 2002) |
5 |
1 |
- |
| |
Ugetsu (Kenji Mizoguchi, 1953) |
5 |
1 |
- |
| |
Waking Ned Devine (Kirk Jones, 1998) |
5 |
1 |
- |
| |
Written On The Wind (Douglas Sirk, 1956) |
5 |
1 |
- |
| #467 |
Les Anges Du Péché (Robert Bresson, 1943) |
4 |
1 |
- |
| |
Bad Company (Robert Benton, 1972) |
4 |
1 |
- |
| |
Berlin Alexanderplatz (Rainer Werner Fassbinder, 1980) |
4 |
1 |
- |
| |
Cabin in the Sky (Vincente Minnelli, 1943) |
4 |
1 |
- |
| |
Carnal Knowledge (Mike Nichols, 1971) |
4 |
1 |
- |
| |
City of God (Fernando Meirelles, 2002) |
4 |
1 |
- |
| |
Dangerous Liaisons (Stephen Frears, 1988) |
4 |
1 |
- |
| |
Deconstructing Harry (Woody Allen, 1997) |
4 |
1 |
- |
| |
Do the Right Thing (Spike Lee, 1989) |
4 |
2 |
- |
| |
Dog Star Man (Stan Brakhage, 1962-64) |
4 |
1 |
- |
| |
Flowers of Shanghai (Hou Hsiao-hsien, 1998) |
4 |
1 |
- |
| |
The Four Feathers (Zoltan Korda, 1939) |
4 |
1 |
- |
| |
The Great Dictator (Charlie Chaplin, 1940) |
4 |
1 |
- |
| |
I'm Going Home (Manoel de Oliveira, 2001) |
4 |
1 |
- |
| |
Illtown (Nick Gomez, 1996) |
4 |
1 |
- |
| |
John Carpenter's The Thing (John Carpenter, 1982) |
4 |
1 |
- |
| |
The Legend of 1900 (Giuseppe Tornatore, 1998) |
4 |
1 |
- |
| |
Lone Star (John Sayles, 1996) |
4 |
1 |
- |
| |
The Long Goodbye (Robert Altman, 1973) |
4 |
1 |
- |
| |
Midnight Cowboy (John Schlesinger, 1969) |
4 |
2 |
- |
| |
Nights of Cabiria (Federico Fellini, 1957) |
4 |
1 |
- |
| |
Nosferatu (F.W. Murnau, 1922) |
4 |
1 |
- |
| |
Scarface (Howard Hawks, 1932) |
4 |
1 |
- |
| |
Schwechater (Peter Kubelka, 1958) |
4 |
1 |
- |
| |
Short Cuts (Robert Altman, 1993) |
4 |
1 |
- |
| |
Slacker (Richard Linklater, 1991) |
4 |
1 |
- |
| |
Spartacus (Stanley Kubrick, 1960) |
4 |
1 |
- |
| |
Still (Ernie Gehr, 1971) |
4 |
1 |
- |
| |
The Sting (George Roy Hill, 1973) |
4 |
1 |
- |
| |
There was a Father (Yasujiro Ozu, 1942) |
4 |
1 |
- |
| |
To Live (Zhang Yimou, 1994) |
4 |
1 |
- |
| |
Umberto D. (Vittorio De Sica, 1952) |
4 |
1 |
- |
| |
Les Uns et les autres (Claude Lelouch, 1981) |
4 |
1 |
- |
| |
When Harry Met Sally (Rob Reiner, 1989) |
4 |
1 |
- |
| |
The Wide Blue Road (Gillo Pontecorvo, 1957) |
4 |
1 |
- |
| #502 |
All About my Mother (Pedro Almadovar, 1999) |
3 |
1 |
- |
| |
Battle Royale (Kinji Fukasaku, 2000) |
3 |
1 |
- |
| |
Bed and Board (François Truffaut, 1970) |
3 |
1 |
- |
| |
Ben-Hur (William Wyler, 1959) |
3 |
1 |
- |
| |
Blow-up (Michelangelo Antonioni, 1966) |
3 |
1 |
- |
| |
The Blue Angel (Josef von Sternberg, 1930) |
3 |
1 |
- |
| |
À bout de souffle (Breathless) (Jean-Luc Godard, 1960) |
3 |
1 |
- |
| |
The Bridge on the River Kwai (David Lean, 1957) |
3 |
2 |
- |
| |
Crimes of Passion (Ken Russell, 1984) |
3 |
1 |
- |
| |
Deliverance (John Boorman, 1972) |
3 |
1 |
- |
| |
The Devil Probably (Robert Bresson, 1977) |
3 |
1 |
- |
| |
Duelle (Jacques Rivette, 1976) |
3 |
1 |
- |
| |
Enter the Dragon (Robert Clouse, 1973) |
3 |
1 |
- |
| |
The Golden Coach (Jean Renoir, 1953) |
3 |
1 |
- |
| |
Happy Together (Wong Kar-Wai, 1997) |
3 |
1 |
- |
| |
Harlan County, USA (Barbara Kopple, 1976) |
3 |
1 |
- |
| |
High and Low (Akira Kurosawa, 1963) |
3 |
1 |
- |
| |
Ichi the Killer (Takashi Miike, 2001) |
3 |
1 |
- |
| |
Kwaidan (Masaki Kobayashi, 1964) |
3 |
1 |
- |
| |
Lock, Stock & Two Smoking Barrells (Guy Ritchie, 1998) |
3 |
1 |
- |
| |
Lola (Rainer Werner Fassbinder, 1981) |
3 |
1 |
- |
| |
M*A*S*H (Robert Altman, 1970) |
3 |
1 |
- |
| |
The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979) |
3 |
1 |
- |
| |
The Milagro Beanfield War (Robert Redford, 1988) |
3 |
1 |
- |
| |
A Moment of Innocence (Mohsen Makhmalbaf, 1996) |
3 |
1 |
- |
| |
Monty Python and the Holy Grail (Terry Gilliam & Terry Jones, 1975) |
3 |
1 |
- |
| |
Mouchette (Robert Bresson, 1967) |
3 |
1 |
- |
| |
The Night of the Shooting Stars (Paolo and Vittorio Taviani, 1982) |
3 |
1 |
- |
| |
The Old Dark House (James Whale, 1932) |
3 |
1 |
- |
| |
One Flew Over the Cuckoo's Nest (Milos Forman, 1975) |
3 |
1 |
- |
| |
Peter Pan (Clyde Geronimi/Wilfred Jackson/Hamilton Luske, 1953) |
3 |
1 |
- |
| |
Scaramouche (George Sidney, 1952) |
3 |
1 |
- |
| |
Seven Brides for Seven Brothers (Stanley Donan, 1954) |
3 |
1 |
- |
| |
Seven Women (John Ford, 1966) |
3 |
1 |
- |
| |
Stalag 17 (Billy Wilder, 1953) |
3 |
1 |
- |
| |
The Stranger Returns (King Vidor, 1933) |
3 |
1 |
- |
| |
Stroszek (Werner Herzog, 1977) |
3 |
1 |
- |
| |
El Topo (Alejandro Jodorowsky, 1970) |
3 |
1 |
- |
| |
The Testament of Dr. Mabuse (Fritz Lang, 1933) |
3 |
1 |
- |
| |
Vampyr (Carl Th. Dreyer, 1932) |
3 |
1 |
- |
| |
The Virgin Spring (Ingmar Bergman, 1960) |
3 |
1 |
- |
| |
Yi Yi (A One and a Two) (Edward Yang, 2000) |
3 |
1 |
- |
| #544 |
AI: Artificial Intelligence (Steven Spielberg, 2001) |
2 |
2 |
- |
| |
Bad Lieutenant (Abel Ferrara, 1992) |
2 |
1 |
- |
| |
Barton Fink (Joel Coen, 1991) |
2 |
1 |
- |
| |
Beautiful Girls (Ted Demme, 1996) |
2 |
1 |
- |
| |
Boogie Nights (P.T. Anderson, 1997) |
2 |
1 |
- |
| |
Bridges of Madison County (Clint Eastwood, 1995) |
2 |
1 |
- |
| |
La Cicatrice Interieure (Philippe Garrel, 1972) |
2 |
1 |
- |
| |
Crimes and Misdemeanors (Woody Allen, 1989) |
2 |
1 |
- |
| |
Crooklyn (Spike Lee, 1994) |
2 |
1 |
- |
| |
Downfall (Oliver Hirschbiegel, 2004) |
2 |
1 |
- |
| |
Foreign Correspondent (Alfred Hitchcock, 1940) |
2 |
1 |
- |
| |
Garden State (Zach Braff, 2004) |
2 |
1 |
- |
| |
Henry Fool (Hal Hartley, 1997) |
2 |
1 |
- |
| |
Hidden Fortress (Akira Kurosawa, 1958) |
2 |
1 |
- |
| |
House of Games (David Mamet, 1987) |
2 |
1 |
- |
| |
Jules et Jim (Francois Truffaut, 1961) |
2 |
1 |
- |
| |
The Killing (Stanley Kubrick, 1956) |
2 |
1 |
- |
| |
The Killing of a Chinese Bookie (John Cassavetes, 1976) |
2 |
1 |
- |
| |
Last of the Mohicans (Michael Mann, 1992) |
2 |
1 |
- |
| |
Masculine-Feminine (Jean-Luc Godard, 1966) |
2 |
1 |
- |
| |
Miller's Crossing (Joel Coen, 1990) |
2 |
1 |
- |
| |
Le Million (René Clair, 1931) |
2 |
1 |
- |
| |
Naked (Mike Leigh, 1993) |
2 |
1 |
- |
| |
A New Leaf (Elaine May, 1971) |
2 |
1 |
- |
| |
Il Posto (Ermanno Olmi, 1961) |
2 |
1 |
- |
| |
Punch Drunk Love (P.T. Anderson, 2002) |
2 |
1 |
- |
| |
Pride and Prejudice (Robert Z. Leonard, 1940) |
2 |
1 |
- |
| |
The Red Violin (François Girard, 1998) |
2 |
1 |
- |
| |
Rififi (Jules Dassin, 1994) |
2 |
1 |
- |
| |
The Tarnished Angels (Douglas Sirk, 1957) |
2 |
1 |
- |
| |
Taste of Cherry (Abbas Kiarostami, 1997) |
2 |
1 |
- |
| |
They Live! (John Carpenter, 1988) |
2 |
1 |
- |
| |
To Kill a Mockingbird (Robert Mulligan, 1962) |
2 |
1 |
- |
| |
Traffic (Steven Soderbergh, 2000) |
2 |
1 |
- |
| |
Triumph of the Will (Leni Riefenstahl, 1935) |
2 |
1 |
- |
| #579 |
Amarcord (Federico Fellini, 1974) |
1 |
1 |
- |
| |
Avalon (Barry Levinson, 1990) |
1 |
1 |
- |
| |
Bang! (Robert Breer, 1986) |
1 |
1 |
- |
| |
Belle de jour (Luis Buñuel, 1967) |
1 |
1 |
- |
| |
The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972) |
1 |
1 |
- |
| |
Blow Out (Brian De Palma, 1981) |
1 |
1 |
- |
| |
Bob le flambeur (Jean-Pierre Melville, 1955) |
1 |
1 |
- |
| |
Che cosa sono le nuvole? (Pier Paolo Pasolini, 1968) |
1 |
1 |
- |
| |
The Circus (Charlie Chaplin, 1928) |
1 |
1 |
- |
| |
Donnie Darko (Richard Kelly, 2001) |
1 |
1 |
- |
| |
Dreamchild (Gavin Millar, 1985) |
1 |
1 |
- |
| |
Dumb & Dumber (Farrelly Brothers, 1994) |
1 |
1 |
- |
| |
Gold Diggers of 1933 (Mervyn LeRoy, 1933) |
1 |
1 |
- |
| |
The Graduate (Mike Nichols, 1967) |
1 |
1 |
- |
| |
Guess Who's Coming to Dinner (Stanley Kramer, 1967) |
1 |
1 |
- |
| |
In the Realm of the Senses (Nagisa Oshima, 1976) |
1 |
1 |
- |
| |
Killer of Sheep (Charles Burnett, 1977) |
1 |
1 |
- |
| |
L.A. Confidential (Curtis Hanson, 1997) |
1 |
1 |
- |
| |
The Last Waltz (Martin Scorsese, 1978) |
1 |
1 |
- |
| |
The Limey (Steven Soderbergh, 1999) |
1 |
1 |
- |
| |
Meet Me in St. Louis (Vincente Minnelli, 1944) |
1 |
1 |
- |
| |
Meeting People is Easy (Grant Gee, 1999) |
1 |
1 |
- |
| |
Midnight Run (Martin Brest, 1988) |
1 |
1 |
- |
| |
Naked Lunch (David Cronenberg, 1991) |
1 |
1 |
- |
| |
One-Eyed Jacks (Marlon Brando, 1961) |
1 |
1 |
- |
| |
One Froggy Evening (Chuck Jones, 1955) |
1 |
1 |
- |
| |
Ordinary People (Robert Redford, 1980) |
1 |
1 |
- |
| |
Paris, Texas (Wim Wenders, 1984) |
1 |
1 |
- |
| |
Paris qui dort (René Clair, 1925) |
1 |
1 |
- |
| |
Pat Garrett & Billy the Kid (Sam Peckinpah, 1973) |
1 |
1 |
- |
| |
Point Blank (John Boorman, 1967) |
1 |
1 |
- |
| |
The Quiet Man (John Ford, 1952) |
1 |
1 |
- |
| |
Le Samourai (John-Pierre Melville, 1967) |
1 |
1 |
- |
| |
Shadows of our Ancestors (Sergei Parajanov, 1964) |
1 |
1 |
- |
| |
Sideways (Alexander Payne, 2004) |
1 |
1 |
- |
| |
Spanglish (James L. Brooks, 2004) |
1 |
1 |
- |
| |
Straw Dogs (Sam Peckinpah, 1971) |
1 |
1 |
- |
| |
Trouble in Paradise (Ernst Lubitsch, 1932) |
1 |
1 |
- |
| |
Under the Flag of the Rising Sun (Kinji Fukasaku, 1972) |
1 |
1 |
- |
| |
White Heat (Raoul Walsh, 1949) |
1 |
1 |
- |
