| Rank |
Film |
Points |
L |
#1 |
| #1 |
The Godfather (Francis Ford Coppola, 1972) |
44 |
11 |
5 |
| #2 |
The Godfather Part II (Francis Ford Coppola, 1974) |
39 |
9 |
4 |
| #3 |
Taxi Driver (Martin Scorsese, 1976) |
37 |
12 |
3 |
| #4 |
Apocalypse Now (Francis Ford Coppola, 1979) |
31 |
9 |
3 |
| #5 |
Barry Lyndon (Stanley Kubrick, 1975) |
22 |
6 |
2 |
| |
A Clockwork Orange (Stanley Kubrick, 1971) |
22 |
6 |
2 |
| #7 |
Annie Hall (Woody Allen, 1977) |
21 |
8 |
- |
| #8 |
Chinatown (Roman Polanski, 1974) |
18 |
7 |
- |
| #9 |
McCabe & Mrs. Miller (Robert Altman, 1971) |
13 |
5 |
1 |
| #10 |
Days of Heaven (Terrence Malick, 1978) |
12 |
3 |
- |
| #11 |
Star Wars (George Lucas, 1977) |
11 |
4 |
- |
| #12 |
Le Charme Discret de la Bourgeoisie (Luis Buñuel, 1972) |
10 |
2 |
2 |
| #13 |
Badlands (Terrence Malick, 1973) |
9 |
4 |
- |
| #14 |
The Exorcist (William Friedkin, 1973) |
8 |
2 |
- |
| |
A Woman Under the Influence (John Cassavetes, 1974) |
8 |
3 |
1 |
| #16 |
Céline et Julie vont en bateau (Jacques Rivette, 1974) |
7 |
3 |
- |
| |
Jaws (Steven Spielberg, 1975) |
7 |
2 |
1 |
| |
Zerkalo (Mirror) (Andrei Tarkovsky, 1975) |
7 |
2 |
- |
| #19 |
Manhattan (Woody Allen, 1979) |
6 |
2 |
1 |
| |
Pat Garrett & Billy the Kid (Sam Peckinpah, 1973) |
6 |
2 |
1 |
| #21 |
All the President's Men (Alan J. Pakula, 1976) |
5 |
1 |
1 |
| |
American Hot Wax (Floyd Mutrux, 1978) |
5 |
1 |
1 |
| |
Mean Streets (Martin Scorsese, 1973) |
5 |
1 |
1 |
| |
Stalker (Andrei Tarkovsky, 1979) |
5 |
1 |
1 |
| |
Superman (Richard Donner, 1978) |
5 |
1 |
1 |
| |
The Taking of Pelham 1 2 3 (Joseph Sargent, 1974) |
5 |
1 |
1 |
| #27 |
The Dawns Here Are Quiet (Sergei Rostov, 1972) |
4 |
1 |
- |
| |
Fat City (John Huston, 1972) |
4 |
1 |
- |
| |
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975) |
4 |
1 |
- |
| |
Lancelot of the Lake (Robert Bresson, 1974) |
4 |
1 |
- |
| |
Nashville (Robert Altman, 1975) |
4 |
3 |
- |
| |
The Pied Piper (Jacques Demy, 1972) |
4 |
1 |
- |
| #33 |
Assault on Precinct 13 (John Carpenter, 1976) |
3 |
1 |
- |
| |
Big Wednesday (John Milius, 1975) |
3 |
1 |
- |
| |
Bring Me The Head of Alfredo Garcia (Sam Peckinpah, 1974) |
3 |
1 |
- |
| |
Carrie (Brian De Palma, 1976) |
3 |
2 |
- |
| |
China 9, Liberty 37 (Monte Hellman, 1978) |
3 |
1 |
- |
| |
Cockfighter (Monte Hellman, 1974) |
3 |
1 |
- |
| |
Edvard Munch (Peter Watkins, 1974) |
3 |
1 |
- |
| |
F For Fake (Orson Welles, 1974) |
3 |
1 |
- |
| |
The Foreigner (Amos Poe, 1978) |
3 |
1 |
- |
| |
New York New York (Martin Scorcese, 1977) |
3 |
1 |
- |
| |
Providence (Alain Resnais, 1977) |
3 |
1 |
- |
| |
Requiem for a Vampire (Jean Rollin, 1971) |
3 |
1 |
- |
| |
Sweet Sweetback's Baadasssss Song (Melvin Van Peebles, 1971) |
3 |
1 |
- |
| |
Take the 5:10 to Dreamland (Bruce Conner, 1976) |
3 |
1 |
- |
| |
3 Women (Robert Altman, 1977) |
3 |
1 |
- |
| |
Two-Lane Blacktop (Monte Hellman, 1971) |
3 |
1 |
- |
| |
We Won't Grow Old Together (Maurice Pialat, 1972) |
3 |
2 |
- |
| #50 |
Aguirre, The Wrath of God (Werner Herzog, 1972) |
2 |
2 |
- |
| |
Amarcord (Federico Fellini, 1974) |
2 |
1 |
- |
| |
The Conformist (Bernardo Bertolucci, 1970) |
2 |
1 |
- |
| |
The Conversation (Francis Ford Coppola, 1974) |
2 |
1 |
- |
| |
The Garden of the Finzi-Continis (Vittorio De Sica, 1970) |
2 |
1 |
- |
| |
Hard Times (Walter Hill, 1975) |
2 |
1 |
- |
| |
Perceval le Gallois (Eric Rohmer, 1978) |
2 |
1 |
- |
| |
Performance (Nicholas Roeg, 1970) |
2 |
1 |
- |
| #58 |
The Enigma of Kaspar Hauser (Werner Herzog, 1976) |
1 |
1 |
- |
| |
Husbands (John Cassavetes, 1970) |
1 |
1 |
- |
| |
One Flew Over the Cuckoo's Nest (Milos Forman, 1975) |
1 |
1 |
- |
| |
Picnic at Hanging Rock (Peter Weir, 1975) |
1 |
1 |
- |
| |
The Spirit of the Beehive (Victor Erice, 1973) |
1 |
1 |
- |
